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Participation: 50%-79%
Unique Durations: 6-7
Unique Accidentals: None
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Baroque
Rule Britannia by Thomas Augustine Arne
ChurchOrganist
1:12 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 4 100%
Bassoon Bass 18 0 5 4 92%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 14 0 4 4 100%
Bassoon Bass 18 0 5 4 92%
Violins
1		 Treble 16 0 5 7 79%
Violins
2		 Treble 16 0 6 5 75%
Timpani Bass 2 0 0 6 71%
Trumpets
1
amp;
2		 Treble 11 0 1 7 69%
Oboe
1 Oboe
2		 Treble 11 0 4 7 48%
Treble 11 0 4 6 58%
Violas 11 0 3 5 58%
Alfred Treble 10 0 3 7 52%
Alto Treble 6 0 1 7 20%
Bass Bass 6 0 2 7 20%
Soprano Treble 7 0 2 6 20%
Tenor Treble 5 0 1 7 20%
 
Concerto No. 1 For Cello Mvmt. 1
DrThorg
2:23 Est. Play
Time
63 Measures
1,044Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 21 0 2 10 95%
Violoncellos Bass 16 0 2 5 84%
Violins
1		 Treble 20 0 0 6 51%
Violas 9 0 0 5 41%
Violins
2		 Treble 10 0 0 6 30%
Double
Bass		 Bass 6 0 0 3 27%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
Mushroom Fanfare
Cameron Carter
0:45 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 7 100%
Bass 17 0 0 6 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 7 100%
Bass 17 0 0 6 67%
 
Handel: Number 6, "Gloria Patri" from "Nisi Dominus," HWV 238
edward.maurath
3:45 Est. Play
Time
56 Measures
1,423Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 88%
Treble 11 0 2 7 91%
View all 22 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 13 0 2 6 88%
Treble 11 0 2 7 91%
Soprano Treble 14 0 2 7 89%
Treble 14 0 2 7 80%
Tenor Treble 12 0 1 7 79%
Treble 13 0 1 7 88%
Organ Treble 19 32 3 7 87%
Organ Treble 19 19 2 7 84%
Violin
2		 Treble 12 0 2 6 75%
Treble 16 0 2 7 84%
Continuo Bass 16 0 1 7 77%
Bass 19 0 2 7 81%
Cello Continuo Bass 15 0 1 7 75%
Bass 17 0 2 7 80%
Violone Continuo Bass 15 0 1 7 75%
Bass 17 0 2 7 80%
Violin
1		 Treble 17 0 3 7 80%
Treble 13 0 2 7 68%
Viola Treble 16 0 1 7 79%
Treble 12 0 1 7 70%
Bass Bass 13 0 0 7 68%
Bass 15 0 2 6 73%
 
Fugue no. 1
Shinon
1:09 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 3 8 100%
Bass 12 1 0 6 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 3 8 100%
Bass 12 1 0 6 52%
 
"Di goder il bel ch'adoro" from 'Il Pastor Fido," HWV 8 (1712)
edward.maurath
3:19 Est. Play
Time
73 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 43 7 8 99%
Bass 27 19 5 5 96%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 23 43 7 8 99%
Bass 27 19 5 5 96%
Oboe Treble 11 0 0 7 79%
Treble 10 0 0 5 79%
Violins I



 Treble 11 0 0 7 79%
Violins II



 Treble 10 0 0 5 79%
Soprano as
Eurilla		 14 0 3 8 75%
Bassoon with
viola		 9 0 0 5 25%
Bassoon
(Continuo)		 Bass 9 0 0 5 25%
Contrabassi (Continuo) Bass 9 0 0 5 25%
Viola 9 0 0 5 25%
Violoncelli (Continuo) Bass 9 0 0 5 25%
Violoncello (Continuo) Bass 9 0 0 5 25%
 
HWV17a2n05y1724 "Se in fiorto ameno prato" from "Giulio Cesare in Egitto"
edward.maurath
6:49 Est. Play
Time
97 Measures
1,535Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 9 85%
Harp Treble 21 27 6 8 84%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 20 0 6 9 85%
Harp Treble 21 27 6 8 84%
Bass 28 68 10 8 84%
Harpsichord Treble 20 48 6 8 84%
Bass 27 51 9 8 84%
Cesare Treble 15 0 6 8 71%
Bassoon Bass 14 7 0 7 60%
Continuo Bass 22 0 6 5 55%
Vln
1		 Treble 16 0 4 8 37%
Celli Bass 16 0 2 5 35%
Kontrebaß Bass 16 0 2 5 35%
Vln
2		 Treble 13 0 0 6 32%
Violas 10 0 0 7 29%
 
"In mano al mio sposo più vago," act 1, "Rodrigo," HWV 5 (1707)
edward.maurath
4:51 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 21 16 6 6 88%
Bass 20 27 6 4 77%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo (Continuo) Treble 21 16 6 6 88%
Bass 20 27 6 4 77%
Harp (Continuo) Treble 21 16 6 6 88%
Bass 20 27 6 4 77%
Violoncello (Continuo) Bass 17 0 4 4 80%
Esilena 15 0 4 7 76%
Violins
1		 Treble 16 0 0 6 68%
Violins
2		 Treble 12 0 0 5 68%
Contrabass (Continuo) Bass 12 0 0 4 51%
Contrabasses (Continuo) Bass 12 0 0 4 51%
Violoncellos (Continuo) Bass 12 0 0 4 51%